Session 1 : Decoding religion myths and beliefs through rock art / Interpretare miti, religioni e credenze attraverso l'arte rupestre
Chair Luiz Oosterbeek
Download Book of Abstract: Session 1
| Aleksovski Dusko | Art rupestre-les racines communes de l'histoire européenne | |
| Baeta Alenice ° | Styles d'Art rupestre: concentration et dispersion dans les paysages de la Serra do Cipo et du karst de Lagoa Santa, Minas Gerais, Brésil | |
| Bettencourt Ana M. S. | Liminarity and movement: a perspective from the prehistoric rock art of the Santa Luzia Mountain (Portugal, North-western Iberia) | |
| Bredholt Lisbeth | Extraordinary experience and feelings in the archaeological material | |
| Cardoso Faria Daniela Dolores | Unraveling messages through the postpalaeolitich rock art of St. Romão's Hill, Guimarães, Portugal | |
| Coimbra Fernando | Possible funerary scenes in rock art: some case studies from Greece and Italy | |
| De Jesus Sanches Maria & Castro Teixeira Joana | An Interpretive approach to "devil claw" carvings: the case of River Tua Mouth Rock Shelter (Alijó, Trás-Os-Montes, Portugal) | |
| Gradoli Maria Giuseppina ° | Prehistoric visual world and material culture in the ancient traditions of Sardinia (Italy) | |
| Green Nicholas | Ngarluma interpretation of the rock art at Depuch Island, Pilbara region, north-western Australia | |
| Iliadis Giorgos | Recent rock art discoveries in Evros Region in Northern Greece | |
| Krasniqi Shemsi | Art rupestre et rite de passage à Sharenica | |
| Loubser Johannes | The ritual and socio-economic contexts of petroglyph boulders in the southeastern United States | |
| Mailland Federico | Parallel between rock engraving and pebble drawing to represent myths | |
| Nash George | Animals as a cosmological entity: A case for hunter/fisher/gatherer rock art in Central Norway | |
| Nasteski Aleksandar V. ° | Le décodage des religions et des croyances à travers de l'art rupestre : le rocher de Marko, le village de Setole | |
| Oosterbeek Luiz Miguel | Decoding beliefs in the Tagus valley | |
| Troletti Federico | Crosses and monstrances in the historical rock art of Monticolo. Some Considerations and interpretation proposal | |
| Tsonev Tsoni ° | Possibilities of Kriging Surfaces (ArcGIS Toolbox) for Analyses of the Inscribed into Landscape Language of Prehistoric Land Art | |
| Ursulescu Nicolae, Caliniuc Stefan, Cotiuga Vasile | Des possibles témoignages de quelques thèmes de la mythologie grecque dans la plastique énéolithique de l'espace carpatique |
Session 2 : Art as world heritage / L’arte come patrimonio mondiale
Chair Nuria Sanz
Download Book of Abstract : Session 2
| Bertilsson Ulf | ||
| Buco Cris | ||
| Cittadini Tiziana & Medici Paolo | Collecting the past for future knowledge: a digital database from CCSP archives | |
| Ghasimi Taher & Ghasemi Parsa ° |
The Discovery of New Pictographs at Pir-Bareh Cave and Rock Shelter Sites, Fars, Southern Zagros, Iran | |
| Lifeng Zhu ° | Rock Art in Ongniud Banner and Its Creators | |
| Sanz Nuria | Presentation of the achievements of the Rock World Heritage archive, developed in the framework of the HEADS programme | |
| Vanzi Massimo, Mannu Carla & Tanda Giuseppa | Stereofotometria per la documentazione in 3D di incisioni e rilievi. Applicazioni nell'arte preistorica della Sardegna |
Session 3 : Regional identities and common themes in rock art / Identità regionali e temi comuni nell'arte rupestre
Chair Umberto Sansoni
Download Book of Abstract : Session 3
| Anderson Gavin | A new site from South Africa | |
| Bertilsson Ulf | Divine footprints. Traces of cosmological archetypes and prehistoric religion on the rock faces | |
| Bettineschi Cinzia | Natural forms, cultural patterns and cognitive maps to reconstruct the history of Valcamonica rock art: examples and possible interpretations | |
| Biglari Fereidoun ° | Eshkat-e Ahou rockshelter site and its context. Recent rock art research near the Persian Gulf, Iran | |
| Coimbra Fernando | Common themes and regional identities in European Late Prehistoric filiform rock art | |
| Guerzoni Rita Paola ° | Il simbolismo delle raffigurazioni sulle stele e sui massi incisi della prima età dei metalli. Appunti e riflessioni | |
| Ling Johan ° | Rock Art, metal trade & cosmopolitical codes | |
| Lopes Cristina ° | The art of Escoural cave | |
| Jolly Pieter & Petro Keene | San rock paintings of rites involving captured or tamed elands | |
| Jórdeczka Maciej, Bobrowski Przemysław & Kobusiewicz Michał | Mythological-metamorphose aspects of the discoveries in Wadi Diib (northeastern Sudan) | |
| Kobusiewicz Michał, Kuciewicz Ewa | The Rock Art in the Dachla Oasis, Western Desert of Egypt | |
| Prestipino Carmelo | Le incisioni rupestri del massiccio del Beigua (Italia - Savona) | |
| Rafifar Jalal | Rock carvings art of Arasbaran (Iran) | |
| Ragazzi Gaudenzio | Corpo e gesto nell'iconografia preistorica | |
| Rozwadowski Andrzej | Looking for common grounds for European and Central Asian rock arts | |
| Sansoni Umberto | Riflessione sull'arte rupestre europea e centro-asiatica nel quadro indoeuropeo | |
| Skoglund Peter ° | The Simris carvings in the light of oversea connections | |
| Vetrov Victor ° | The Style Province in the Late Paleolithic Art of Ukraine |
Session 4 : Making history of prehistory. Art style and life style / Fare storia dalla Preistoria: stili nell'arte e stile di vita
Chair Federico Mailland
Download Book of Abstract : Session 4
| Al-Abduljabbar Abdullah | Dresses as Reflected in Rock Arts in North and Northwest Arabia | |
| Przemysław Bobrowski, Maciej Jórdeczka, Michał Kobusiewicz | Rock art in the Red Sea Hills, N-E Sudan. Discoveries in Wadi Diib (Bir Nurayet, Jebel Karaiweb, Jebel Erkabeb) | |
| Di Fraia Tomaso | The dichotomies supernatural/human, ancestors/living people, nature/artificiality. A case study: the prehistoric stone architecture in the La Maddalena archipelago (Italy) | |
| Dudognon Carole | Les pratiques cynégétiques dans l'art rupestre de la Sierra d'Arica (Extrême nord du Chili) | |
| Houbre Aurélie & Jeunesse Christian ° | Les décors céramiques du Néolithique ancien Danubien ont-ils une fonction sociale ? | |
| Imam Bulu ° | The historical perspective of prehistory through study of Mesochalcolithic rock art and contemporary tribal mural paintings in Jarkhand, eastern north India | |
| Imam Justin ° | Contemporary Tana Bhagat Puja to a Meso-chalcolithic rockart site at Thethangi, Chatra district, North Jharkhand, East central India | |
| Jankovits Katalin | Nuovi dati sulle tipologie degli ornamenti ottenuti mediante fusione dall'Isolone del Mincio | |
| Malla Bansi Lal | Art Heritage: A Mirror of Nature - Human Relationship | |
| Polkowski Paweł | A palimpsestic character of the Dakhleh Oasis rock art. An outline of interpretational approach | |
| Půtová Barbora | From protoart to Upper Palaeolithic art | |
| Ronen Avraham | Daily Life Contribution Towards Reconstructing Prehistoric Daily Life | |
| Mila Simões de Abreu | ||
| Scarantino Luca | L'idea di una storia assoluta dello spirito attraverso lo studio dell'espressività primordiale | |
| Zarandona A. J. Gonzales ° | Iconoclash and prehistoric art |
Session 5 : Psychic stories revealed by the arts / La storia della psiche rivelata dell'arte
Chairs Pierluigi Bolmida and Manuela Tartari
Download Book of Abstract : Session 5
| Severi Carlo | The arts of memory. Comparative perspectives on a mental artifact | |
| Devoti Domenico | Genesis of the sacred and proto-images of the divine | |
| Sacchi Duccio | Sign, drawing, and image in psychoanalytic clinical experience | |
| Ferretti Levi-Montalcini Annalisa | Loss, memory and processes of abstraction | |
| Tartari Manuela | Memory-Images | |
| Dubal Léo | Presence or Possession revealed by Handprints | |
| Sansoni Umberto | La lancia di Athena e la clava di Heracle. Logica e valori dell'iter simbolico. L'estatico e l'onirico | |
| Bolmida Pierluigi | L'ineluttabilità dell'estetica |
Session 6 : Decoding rock art: a worldwide survey on methods and theories / Decifrare l'arte rupestre: metodi e teorie
Chair Alberto Marretta
Download Book of Abstract : Session 6
| Auclair Laurent, Ewague Abdelhadi & Lemjidi Abelkhalek ° |
Paysages graves : 4000 ans de transhumance dans les alpages du haut atlas (Maroc) | |
| Binant Pascale | Does rock art tell us stories? An example from the Serra da Capivara, Brazil | |
| Creveax Patricia & Berriet Margalit | Symbols as universal language | |
| Graff Gwenola & Kelany Adel | Paysages graves : la longue continuité du Wadi Abu Subeira (region d'Assouan, Egypte) | |
| Guimarães Wolnei Ferreira Santiago ° | Similarities of world signs in distinct places: the case of Lapa da Pedra archaeological site from Brazil | |
| Isnardis Andrei & Prous André | Rock Art - Peruaçu River Valley, Brazil | |
| Kumar Ajit ° | Decoding the meaning and beliefs associated with petroglyphs in Edakkal rock-shelter, Kerala, India | |
| Marretta Alberto | The abstract mind. Valcamonica complex geometric compositions in the light of new discoveries | |
| Otte Marcel | Arts et sociétés | |
| Prasad A.K. | Decoding of some symbols and geometric signs in the rock art of southern Bihar and adjoining Jharkhand in eastern India | |
| Sognnes Kalle | Dekonstructing elks: cervids in North Scandinavian rock art | |
| Tabrani Primadi | Decoding and reading rock art | |
| Tiwary Sachin ° | Decoding death: connotation of 'Cross in Circle' in indian rock art | |
| Vahanyan Gregori & Vahanyan Vahan ° | The cross, the swastika, the star of David, and the eight-pointed star in the rock art of Armenia. The history of motifs and their cultural influence |
Session 7 : Decoding rock art: a worldwide survey on methods and theories / Decifrare l'arte rupestre: metodi e teorie
Chair Alberto Marretta
Download Book of Abstract : Session 7
| Bagnoli Paolo Emilio, Costantini Sara & Giontella Giuseppe | Medieval and Post Medieval Symbolic Rock Art and Epigraphic Discoveries within the Rupestrian Etruscan Tombs in Tuscania (Viterbo, Italy) | |
| Sani Giancarlo, Urso Mirko & Cinquilli Gianluca | Evidence of rock graffiti among historical-archaeological remains along an ancient trans-Appennines road, from the Val di Bure to Treppio (north-central Tuscany) | |
| Maurilio Grassi | La continuità istoriativa nei messaggi graffiti dai pastori e dai minatori della Valle di Scalve | |
| Federico Troletti | Methodology for research in Common Era rock engravings. An example: comparing the Austrian Cadastre with the site of Campanine di Cimbergo | |
| Zulfiqar Ali Kalhoro | From stone tools to steel tools: ethnographic petroglyphs in Sindh, Pakistan | |
| Nash George | The then and now: decoding iconic statements within contemporary graffiti | |
| Faradzhev Arsen | Human's beauty reflections as a Historical tool | |
| Nikolova Lolita | Graffiti and archaeological art as historical-cultural values | |
| Oosterbeek Luiz | Graffiti in Mação: re-enacting history and geography throughout the urban landscape | |
| Segari Dario ° | When art is public, then art is people's art | |
| Hartley Ralph & Kennedy Sharon | Claiming/Re-claiming Space with Place-marking in Rural versusUrban Landscapes | |
| Gobbet Tania Letizia ° | Il libro d'amore di San Francesco: il nostro primitivo. Un rilievo semiotico visivo verso una visione naturale della traduzione intersemiotica |